[{"data":1,"prerenderedAt":146},["ShallowReactive",2],{"press-sayidaty-magazine":3},[4],{"id":5,"date":6,"date_gmt":7,"guid":8,"modified":10,"modified_gmt":11,"slug":12,"status":13,"type":14,"link":15,"title":16,"content":18,"featured_media":21,"parent":22,"menu_order":23,"template":24,"Press Categories":25,"class_list":30,"acf":40,"yoast_head":45,"yoast_head_json":46,"_links":111},18824,"2023-04-07T13:26:41","2023-04-07T17:26:41",{"rendered":9},"https:\u002F\u002Fwww.grimanesaamoros.com\u002F?post_type=press&p=18824","2026-05-08T17:09:32","2026-05-08T21:09:32","sayidaty-magazine","publish","press","https:\u002F\u002Fwww.grimanesaamoros.com\u002Fpress\u002Fsayidaty-magazine\u002F",{"rendered":17},"Sayidaty Magazine",{"rendered":19,"protected":20},"\u003Cscript type=\"application\u002Fld+json\">\r\n{\r\n  \"@context\": \"https:\u002F\u002Fschema.org\",\r\n  \"@type\": \"Article\",\r\n  \"headline\": \"Light sculpture artist Grimanesa Amoros: I believe in what I call the romance of the unknown!\",\r\n  \"mainEntityOfPage\": \"https:\u002F\u002Fmagazine.sayidaty.net\u002Fbooks\u002Fmkpq\u002F#p=105\",\r\n  \"datePublished\": \"2013-04-07T00:00:00-05:00\",\r\n  \"image\": \"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fgrimanesa-amoros-azkuna-zentroa-scientia-portrait.webp\u002Fformat=auto,w=1920\",\r\n  \"author\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Sayidaty Magazine\",\r\n    \"url\": \"https:\u002F\u002Fmagazine.sayidaty.net\"\r\n  },\r\n  \"publisher\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Sayidaty Magazine\",\r\n    \"logo\": {\r\n      \"@type\": \"ImageObject\",\r\n      \"url\": \"https:\u002F\u002Fasresh.page-flipping.com\u002Fafebh\u002Faccountlogo.png?1713856456970\"\r\n    }\r\n  },\r\n  \"description\": \"Light sculpture artist Grimanesa Amoros: I believe in what I call the romance of the unknown!\"\r\n}\r\n\u003C\u002Fscript>\r\n\r\n\u003Ch2>مجلة سيدتي النسخة الرقمية العدد 2196\u003C\u002Fh2>\r\n\u003Ch3>Light sculpture artist Grimanesa Amoros: I believe in what I call the romance of the unknown!\u003C\u002Fh3>\r\n\u003Cp> \u003C\u002Fp>\r\n\u003Cp>View the article online: \u003Ca href=\"https:\u002F\u002Fmagazine.sayidaty.net\u002Fbooks\u002Fmkpq\u002F#p=105\" target=\"_blank\" rel=\"noopener\">https:\u002F\u002Fmagazine.sayidaty.net\u002Fbooks\u002Fmkpq\u002F#p=105\u003C\u002Fa>\u003C\u002Fp>\r\n\u003Cp> \u003C\u002Fp>\r\n\u003Cdiv id=\"attachment_18833\" align=\"alignright\">\u003Cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-18833\" src=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002FSayidaty-Magazine-Issue-2196-Grimanesa-Amoros-Amplexus-Noor-Riyadh.jpg\u002Fformat=auto,quality=85,w=1920\" alt=\"Sayidaty Magazine Issue 2196 Grimanesa Amoros Amplexus Noor Riyadh\" width=\"640\" height=\"423\" \u002F>\r\n\u003Cp class=\"wp-caption-text\">\u003Ca href=\"https:\u002F\u002Fwww.sayidaty.net\u002F\">Sayidaty Magazine\u003C\u002Fa> Issue 2196 article with Light sculpture artist Grimanesa Amoros and her work \u003Ca href=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fpubliccommission\u002Fnoor-riyadh-amplexus-diplomatic-quarters\u002F\">AMPLEXUS\u003C\u002Fa> for Noor Riyadh\u003C\u002Fp>\r\n\u003C\u002Fdiv>\r\n\u003Cp> \u003C\u002Fp>\r\n\u003Cdiv id=\"attachment_18834\" align=\"alignright\">\u003Cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-18834 size-large\" src=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002FSayidaty-Magazine-Issue-2196-Grimanesa-Amoros-Light-Sculptures.jpg\u002Fformat=auto,quality=85,w=1920\" alt=\"Sayidaty Magazine with Grimanesa Amoros' light sculptures\" width=\"640\" height=\"423\" \u002F>\r\n\u003Cp class=\"wp-caption-text\">Sayidaty Magazine with Grimanesa Amoros’ light sculptures\u003C\u002Fp>\r\n\u003C\u002Fdiv>\r\n\r\n\u003Cp>\r\nفنانة أميركية من أصول بيروفية، تعتمد أعمالها على سيكولوجية الإنسان وتأثير نمط الحياة السريع فينا نحن بوصفنا بشراً من خلال نحت الضوء لتستكشف علاقة المجتمع بالتاريخ والتكنولوجيا والهندسة المعمارية للمدن… أعمالها التركيبية\r\nالضوئية عبارة عن مقاطع فيديو وإضاءة وعناصر إلكترونية. تحاول من خلالها اكتشاف الفهم البشري للعالم. إنها تستخدم عناصر الطبيعة الأساسية (النار والماء والأرض والضوء). كما أنها تغوص بعمق في المشاعر الإنسانية العميقة لاستكشاف الروابط مع البيئة الاجتماعية للفرد. هي الفنانة جريمانيسا أموروس \u003Ca href=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Flight-sculpture-artist-biography\u002F\">Grimanesa Amoros\u003C\u002Fa>) التي قابلناها لنتعرف إلى ارتباط الثقافة بالتكنولوجيا في أعمالها الفنية.\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nدبي | لينا الحوراني Lina Alhorani\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nتطور مستمر وسيبقى كذلك إلى الأبد لأنه لا يتوقف أبداً، لذلك طورت العديد من القطع المتعلقة ببيرو، كان أحدها هو «أوروس هاوس UROS HOUSE، وهو مشروع بتكليف من برنامج تايم سكوير أليانس العام للفنون»، استوحيته من نمط حياة السكان في ساحل بونو في بيرو، وتحديداً في جزر أوروس العائمة، وهي جزر اصطناعية عائمة تصنع من قصب نباتات التوتورا التي تنمو في بحيرة تيتيكاكا، فشعب الأوروس يصنعون كل شيء من المنازل إلى القوارب إلى أبراج المراقبة منه، وما قمت به في عملي الفني هو إعادة تجسيد معاصرة لهذه المنازل. وما يمتزج معها من زبد البحر، مع الحفاظ على الشكل التقليدي وتقنية صناعة تلك البيوت الفريدة».\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nتطور مستمر وسيبقى كذلك إلى الأبد لأنه لا يتوقف أبداً، لذلك طورت العديد من القطع المتعلقة ببيرو، كان أحدها هو «أوروس هاوس UROS HOUSE، وهو مشروع بتكليف من برنامج تايم سكوير أليانس العام للفنون»، استوحيته من نمط حياة السكان في ساحل بونو في بيرو، وتحديداً في جزر أوروس العائمة، وهي جزر اصطناعية عائمة تصنع من قصب نباتات التوتورا التي تنمو في بحيرة تيتيكاكا، فشعب الأوروس يصنعون كل شيء من المنازل إلى القوارب إلى أبراج المراقبة منه، وما قمت به في عملي الفني هو إعادة تجسيد معاصرة لهذه المنازل. وما يمتزج معها من زبد البحر، مع الحفاظ على الشكل التقليدي وتقنية صناعة تلك البيوت الفريدة».\r\n\u003C\u002Fp>\r\n\r\n\u003Cp>\r\nلمست ذلك السحر الخاص\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nلكل بلد كما تؤكد مبدعة AMPLEXUS جوانبه الثقافية والتراثية والطبيعية التي تميزه، وهو ما ينعكس بشكل كبير على الأزياء والتصميم الداخلي والمعمار بشكل بارز هذه المكونات والاختلافات الثقافية المميزة هي أكثر ما يلهمها، إضافة إلى ثقافتها وتراثها تستدرك قائلة: «في الآونة الأخيرة زرت دولاً عدة في الخليج. فإلى جانب إقامتي في المملكة العربية السعودية لمدة شهرين. فقد استمتعت برؤية \r\nالمملكة ومشاريعها التي\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nقصب نباتات التوتورا\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nمن وجهة نظر الفنانة أموروس فإن الثقافة والتكنولوجيا مرتبطتان ببعضهما البعض بشكل لا يمكن فيه أن تنفصلا. فالثقافة وعاء متسع يتضمن مختلف جوانب حياتنا اليومية. وأفكارنا ومعتقداتنا ومن خلال التكنولوجيا وأدواتها. نعيد توظيف موروثاتنا الثقافية في سياق حديث. تعلق قائلة: «كل ما في الأمر أننا نحاول سد الفجوة بين التكنولوجيا والتاريخ، فعند\r\n\u003C\u002Fp>\r\n\u003Chr>\r\n\u003Cp>\r\nAn American artist of Peruvian origin, her work draws on human psychology and the impact of our fast-paced lifestyle on us as humans. Through light sculpture, she explores society’s relationship with history, technology, and urban architecture. Her light installations consist of videos, lighting, and electronic elements. Through them, she attempts to explore the human understanding of the world. She uses the basic elements of nature (fire, water, earth, and light). She also delves deeply into profound human emotions to explore connections with one’s social environment. She is the artist \u003Ca href=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Flight-sculpture-artist-biography\u002F\">Grimanesa Amoros\u003C\u002Fa>. We met to learn about the connection between culture and technology in her artwork.\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nDubai | Lina Alhorani\r\n\u003C\u002Fp>\r\n\u003Cp>\r\nIt is a constant development and will remain so forever because it never stops. Therefore, I developed several pieces related to Peru, one of which was “UROS HOUSE,” a project commissioned by the Times Square Alliance Public Art Program. I was inspired by the lifestyle of the inhabitants of the Puno coast of Peru, specifically the Uros Floating Islands, which are artificial floating islands made from totora reeds that grow in Lake Titicaca. The Uros people make everything from houses to boats to watchtowers from them. What I have created in my artwork is a contemporary reinterpretation of these houses and the sea foam that blends with them, while preserving the traditional form and technique of making these unique houses. \u003C\u002Fp>\r\n\u003Cp>\r\nIt is a constant development and will remain so forever because it never stops. That’s why I developed several pieces related to Peru, one of which was “UROS HOUSE,” a project commissioned by the Times Square Alliance Public Art Program. I was inspired by the lifestyle of the inhabitants of the Puno coast of Peru, specifically the Uros Floating Islands, which are artificial floating islands made from totora reeds that grow in Lake Titicaca. The Uros people make everything from houses to boats to watchtowers from them. What I have created in my artwork is a contemporary reinterpretation of these houses and the sea foam that blends with them, while preserving the traditional form and manufacturing technique of these unique houses. \u003C\u002Fp>\r\n\r\n\r\n\u003Cp>I felt that special magic\u003C\u002Fp>\r\n\r\n\u003Cp>Each country, as the creator of Amplexus emphasizes, has its own distinct cultural, heritage, and natural aspects, which are significantly reflected in fashion, interior design, and architecture. These distinctive cultural components and differences are what inspire her most. In addition to her own culture and heritage, she adds, “Recently, I visited several countries in the Gulf. In addition to my two-month stay in Saudi Arabia, I enjoyed seeing the Kingdom and its projects.\u003C\u002Fp>\r\n\r\n\r\n\r\n\r\n\u003Cp>Totora reeds\u003C\u002Fp>\r\n\r\n\r\n\u003Cp>From Amoros’s perspective, culture and technology are inextricably linked. Culture is a vast vessel that encompasses various aspects of our daily lives, our ideas, and our beliefs. Through technology and its tools, we repurpose our cultural heritage in a modern context.” She comments, “We are simply trying to bridge the gap between technology and history.\u003C\u002Fp>\r\n\r\n",false,18840,0,42,"",[26,27,28,29],1227,1094,652,20,[31,14,32,33,34,35,36,37,38,39],"post-18824","type-press","status-publish","has-post-thumbnail","hentry","PressCategories-2022-current","PressCategories-2016-present","PressCategories-all-selected-press","PressCategories-select-press",{"poster-image":24,"pdf_url":41,"download":24,"press-pub_date":42,"press-ori_title":43,"press-writer":44,"press_writer_url":24},"https:\u002F\u002Fmagazine.sayidaty.net\u002Fbooks\u002Fmkpq\u002F#p=105","April 7 2023","Light Sculpture Artist: Grimanesa Amorós","Lina Alhorani","\u003C!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\u002F\u002Fyoast.com\u002Fwordpress\u002Fplugins\u002Fseo\u002F -->\n\u003Ctitle>Sayidaty Magazine | GRIMANESA AMOROS\u003C\u002Ftitle>\n\u003Cmeta 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