[{"data":1,"prerenderedAt":143},["ShallowReactive",2],{"press-arte-al-limite-issue-42-2010":3},[4],{"id":5,"date":6,"date_gmt":6,"guid":7,"modified":9,"modified_gmt":10,"slug":11,"status":12,"type":13,"link":14,"title":15,"content":17,"featured_media":20,"parent":21,"menu_order":22,"template":23,"Press Categories":24,"class_list":28,"acf":37,"yoast_head":43,"yoast_head_json":44,"_links":108},814,"2016-02-05T11:19:40",{"rendered":8},"http:\u002F\u002Fwww.grimanesaamoros.com\u002F?post_type=press&p=814","2026-05-07T14:18:56","2026-05-07T18:18:56","arte-al-limite-issue-42-2010","publish","press","https:\u002F\u002Fwww.grimanesaamoros.com\u002Fpress\u002Farte-al-limite-issue-42-2010\u002F",{"rendered":16},"ARTE AL LIMITE No42 2010",{"rendered":18,"protected":19},"\u003Cscript type=\"application\u002Fld+json\">\r\n{\r\n  \"@context\": \"https:\u002F\u002Fschema.org\",\r\n  \"@type\": \"Article\",\r\n  \"headline\": \"Grimanesa Amoros: la posibilidad de las formas\",\r\n  \"mainEntityOfPage\": \"https:\u002F\u002Fgrimanesaamoros.com\u002Fcatalogues\u002Fpdfs\u002FAmoros-ArteAlLimite-MayJune2010.pdf\",\r\n  \"datePublished\": \"2010-06-07T00:00:00-04:00\",\r\n  \"image\": \"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fgrimaneasa-amoros-bayer-building-terrarium-14.webp\u002Fformat=auto,quality=85,w=1920\",\r\n  \"author\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Arte Al Limite\",\r\n    \"url\": \"https:\u002F\u002Fwww.arteallimite.com\u002F\"\r\n  },\r\n  \"publisher\": {\r\n    \"@type\": \"Organization\",\r\n    \"name\": \"Arte Al Limite\",\r\n    \"logo\": {\r\n      \"@type\": \"ImageObject\",\r\n      \"url\": \"https:\u002F\u002Fwww.arteallimite.com\u002Fwp-content\u002Fuploads\u002F2024\u002F07\u002Flogo-arteallimite-negro-b.png.webp\"\r\n    }\r\n  },\r\n  \"description\": \"Grimanesa Amoros: la posibilidad de las formas\"\r\n}\r\n\u003C\u002Fscript>\r\n\r\n\u003Cp>\u003Cstrong>\u003Cspan style=\"font-size: 18pt;\">Grimanesa Amoros\u003C\u002Fspan>\u003C\u002Fstrong>\u003C\u002Fp>\r\n\u003Cp>\u003Cspan style=\"font-size: 14pt;\">la posibilidad de las formas\u003C\u002Fspan>\u003C\u002Fp>\r\n\r\n\u003Cp>ESFERAS, LUCES Y REFLEXIÓN SOCIAL CONFORMAN EL UNIVERSO DE LA ARTISTA. MARCADA POR SUS RAICES, LOS CONTANTES VIAJES Y LA VIDA EN UNA DE LAS CAPITALES DEL ARTE CONTEMPORANES.\u003C\u002Fp>\r\n\r\n\u003Cp>Texto Loreto Ramirez, licenciada en estética\u003C\u002Fp>\r\n\u003Cp style=\"margin: 0in; margin-bottom: .0001pt;\">\u003Ca href=\"https:\u002F\u002Fgrimanesaamoros.com\u002Fcatalogues\u002Fpdfs\u002FAmoros-ArteAlLimite-MayJune2010.pdf\">\u003Cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-821\" src=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Fcdn-cgi\u002Fimagedelivery\u002F8b7Mr6loSNKbwTe7bBsNMw\u002Fart-al-limite-jun10-cover.jpg\u002Foriginal\" alt=\"art-al-limite-jun10-cover\" style=\"width:349px;height:160px\" width=\"349\" height=\"160\" \u002F>\u003C\u002Fa>\u003C\u002Fp>\r\n\r\n\r\n\u003Cp>\u003Cstrong>\u003Ca href=\"https:\u002F\u002Fgrimanesaamoros.com\u002Fcatalogues\u002Fpdfs\u002FAmoros-ArteAlLimite-MayJune2010.pdf\">Read More: DOWNLOAD PDF\u003C\u002Fa>\u003C\u002Fstrong>\u003C\u002Fp>\r\n\r\n\u003Cp>Si bien \u003Ca href=\"https:\u002F\u002Fwww.grimanesaamoros.com\u002Flight-sculpture-artist-biography\u002F\">Grimanesa Amorós\u003C\u002Fa> (Lima, 1962) comenzaría su recorrido por el mundo del arte a la temprana edad de once años, solo después de trasladarse a Nueva York – 1984– y formarse en Psicología, se abocaría por complete a la Carrera artística. En la actualidad, Amorós es reconocida en el circuito internacional como una artista interdisciplinaria, cuyas preocupaciones creativas están atravesadas por tópicos de relevancia, que le han capturado y la han acometido de modo paulatino. Entre ellos, la investigación científica; los avances tecnológicos; algunos conflictos característicos de sociedad actual; las nociones de identidad, diversidad e integración.\u003C\u002Fp>\r\n\r\n\u003Cp>En cuanto a format y materialidades, a través del lenguaje multimedia la artista suele ensamblar piezas de complejidad- principalmente esculturas o instalaciones- donde el vídeo, la iluminación, la música y la performance adquieren un lugar predominante. A este respect, tres rasgos han distinguido las obras recientes de Grimanesa Amorós. En primer lugar, la presencia de la luz. Muchas de sus instalaciones y esculturas se constituyen en verdaderas piezas lumínicas (series Aurora).\u003C\u002Fp>\r\n\r\n\u003Cp>En términos formales, dicha fasinación responde al intent por conseguir el efecto de lo etéreo y lo evanescente, a la vez que la vitalidad que entrega tal Fuente energía, ambos potenciados por una liviandad material. En Segundo lugar, destaca la reiteración de las formas circulares. Con reminiscencias a la tierra, la maternidad, el cobijo y loa orgánico propiamente tal, más allá del comienzo y del fin, la presencia de la esfera –con todas sus implicancias- nos devuelve un sentido de continuidad y de siclo. Finalmente, la transformación es un vector que suele caracterizar los trabajos de la artista, no solo por cuanto asistimos a la altercación de espacios o paisajes habituales, sino porque el espetador es conducido al descubrimiento de nuevos rincones y nuevas posibilidades formales, contextuales, matéricas.\u003C\u002Fp>",false,821,0,307,"",[25,26,27],652,21,20,[29,13,30,31,32,33,34,35,36],"post-814","type-press","status-publish","has-post-thumbnail","hentry","PressCategories-all-selected-press","PressCategories-2010-2012","PressCategories-select-press",{"poster-image":23,"pdf_url":38,"download":39,"press-pub_date":40,"press-ori_title":41,"press-writer":42,"press_writer_url":23}," https:\u002F\u002Fwww.grimanesaamoros.com\u002Fpress\u002Farte-al-limite-issue-42-2010\u002F","https:\u002F\u002Fgrimanesaamoros.com\u002Fcatalogues\u002Fpdfs\u002FAmoros-ArteAlLimite-MayJune2010.pdf","May\u002F June 2010","La Posibilidad de las Formas","Loreto Ramirez","\u003C!-- This site is optimized with 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